Borderlands

Borderlands

A bleak novel, this week – Brian McGilloway’s Borderlands, set on the borders between Northern Ireland and the Republic, the “soft” border that may be about to become a “hard”, or controlled, border again as Brexit looms. The past, including the pre-cooperation days of the controlled borders, casts a long shadow over this area, and Inspector Benedict Devlin of the Garda travels backwards and forwards over the border as he attempts to track the killer of a young girl, found almost naked in woodland, just before Christmas. She had been seen with a young traveller boy, and suspicion falls on him and his family. At the same time, Devlin is asked to investigate a break-in at an old people’s home, witnessed by the father-in-law of his ex-girlfriend.

The plot is as intricately enmeshed as the branches on a winter tree, and confidently handled, but this is a harsh world full of violence, with little in the way of likeable characters or any leaven of humour. McGilloway was shortlisted for a Debut Dagger for this, and deservedly so. And yet – pulls out soapbox and stands on it – I wouldn’t trust a detective that couldn’t be trusted with a dog, and Devlin is simply Too Irresponsible for Dog Ownership (TIDO). He leaves a basset hound (short-coated dog) in a shed each night, in the snow, at Christmas, and when the dog escapes and is accused of sheep-worrying, does he defend the dog, or take him into the house? Does he heck. I began by assuming this was the author’s way of telling us that Devlin was a villain (Hollywood code these days for a bad guy involves violence towards dogs) but no, it turns he was simply TIDO.  Violence, swearing, goes with the genre – total irresponsibility doesn’t, and annoys me no end. Other dog people may feel the same.

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