In fiction devoted to rural crime, the community is a source of strength, either for or against the main character, and in Jane Harper’s The Dry, the Australian outback community of Kiewarra is very much against Aaron Falk. For the Melbourne-based detective, this comes as no surprise, but the reason why his family had to leave is only revealed gradually. Aaron has returned for the funeral of his old schoolfriend Luke, who died alongside his wife and child. Luke’s parents do not believe it was suicide, and ask Aaron to help convince the local policeman, Raco, to continue with the investigation
This is a strong and confident narrative, and feels like a mid-series novel rather than a debut. The pacing is skilful, the characters have an emotional hinterland, and the devastating effects of a multi-year drought add to the tension of a community under severe stress. (I particularly liked the touch of a local schoolchild’s drawing being of a cow with wings, “My Cow Who is Now in Heaven”.) Highly recommended.
This was an opportune moment to read it, as Harper has just won the CWA Gold Dagger. I was also reading it over the first night of hard frost this winter, and today’s it’s been raining hard. The Dry has reminded me that a small wet island has its advantages.