Set in the early part of the year in a snow-bound Dorset, Ngaio Marsh’s Death and the Dancing Footman sees Jonathan Royal invite a houseparty of guests who are guaranteed to get along spectacularly badly. He has chosen his poet/playwright friend, Aubrey Mandrake, to be a spectator at this “Big Brother House” set-up, which includes Mrs Compline, her face ruined by botched plastic surgery, the surgeon who had spent the last 20 years hiding from his handiwork, the two Compline brothers William and Nicholas, and the girl who was engaged to one and then the other, plus two female rivals who ran beauty parlours.
As the snow comes down, the party are trapped at Highfold Manor, and it is not long before the guests turn, first to attempted murder, then an actual killing. Each is suspicious of the other, ready to betray the other, and as the tension mounts, Mandrake catalogues the alibis of each. It all hangs on the evidence of Thomas, the footman who was dancing in the hallway to the strains of “Hands, Knees and Boomps-a-daisy.”
This was written in 1942 and is very evidently a war novel. A character opens his window after dark, then remembers the black-out. Talk of war is forbidden after dinner, as too depressing, and when the murderer is finally revealed, the detective Roderick Alleyn feels strongly how ironic it is to hang an individual when elsewhere people are being killed wholesale. Alleyn only appears towards the end, the snow having prevented anyone sending for help for several days, so we see much of the story from Mandrake’s point of view. I was surprisingly engaged, having not read Marsh for many years. There are some interesting plot twists, and a rising pitch of tension up to the end. On my “Keep and Re-Read” pile.
Just the Facts Ma’am Challenge – Gold/ What/Reference to man or woman in the title